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Sabtu, 19 November 2011

Deathcore

 Deathcore is a derivative of the metalcore genre by genre terinfluence. 


characteristics

Although a sub-genre of metalcore, deathcore is strongly relying on modern death metal flow when it comes to speed, depression and method of chromatic chromatic, heavy riffs and bustle (dissonance). Growls and screams have grown to be a common tradition, often coupled with metalcore vocals. Deathcore has a lot of time intervals and melodic riffs common in metalcore flow. Even though influence of viscous Death Metal genre in this genre, however the genre is still rooted in Hardcore Metal isn't apparent in the use of breakdown, the decline and raising the tempo beats and so forth which are the hallmark of hardcore music. Types of such foreign deathcore band, as blood runs black, BMTH, the black dahlia murder, etc. while the Indonesian origin, fate and revenge the letter from Scandinavia etc.
 
 
 
history
guitar

Deathcore
is sometimes stem from the drop D guitar to B (with respect to the appreciation from the music itself). Usually kind of rhythmic chord-chord pentatonic. The melody was characterized, in the mundane to chromatic arpeggios.
 
Drum
Almost all the metal, always wear double bass drums. However, Deathcore has its own characteristics in drum way is often called blasting. Blasting is stomping snare technique a lot more than the cymbal. Blasting technique itself appears frequently in jazz music.

Jumat, 18 November 2011

Types of Jazz Music Flow

 
Did you know that the jazz genre continues to have an extended flows underneath. This is it, 20 the flow of jazz music ... ... ....
1. Ragtime
Origins of jazz. African music resembles
the background music having a beat and tone that resembles the initial African music. Vibrant, enthusiastic, and extemporaneous are characteristics that may be recognized from ragtime. His characters include Scott Joplin and Ben Harney.

2. Classic Jazz
Known as the "New Orleans Style". Originally a brass band that featured on the program dancing and partying at the end of the 1800's and early 1900's. Musical instrument designed with a clarinet, saxophone, cornet, trombone, banjo, bass, guitar, drums and piano. Improvisation is emphasized in his playing and musical arrangements could be not the same as every appearance.

3. Hot Jazz
Jazz singer type
seen as a an improvised solo, typical melodic structure, in most cases have an emotional climax and "hot". Rhytm sectionnya usually combined with guitar, bass, banjo, and drums are rising slowly so as to achieve climax (crescendo). The primary character of this genre, none other than Louis Armstrong.

4. Chicago Style
Chicago
became the center of the birth of the genre would be the main core may be the "inventive player". Characterized by an innovative and harmonious arrangement, and the high technical players. The primary characters, among others, Benny Goodman, Bud Freeman, Eddie Condon, and Gene Krupa.

5. Swing
The 1930's to early swing. Its main characteristics: robust and Invigorating. Swing
is also often considered dance music. Although collectively play, a swing band can display solo performance for that main melody improvise. Characters a lot but that is often dubbed because the King of Swing Benny Goodman is.

6. Kansas Style
This flow
was created during the Great Depression around 1920's and 1930's in Might, USA. Its characteristics are extremely soulful style and blues. Characters such as Charlie Parker.

7. Gypsy Jazz
Originally
created by in france they guitarist, Django Reinhardt. Often relying on folk music (folk music) from eastern europe. Often also called Jazz Manouche. Its main characteristics are: languid, Seductive feel, that is characterized by "quirky cadences" and "driving rhytms".

8. Bebop
Developed in the early 1940's. Still depend on improvisation, in a bop soloist freely explore the chords while he remains within the existing chord structure. Bebop differs from the swing, and much more dance music. Bebop can also be the foundation for that innovations of jazz music. Player amongst others: Charlie Parker (saxophon) and Dizzi Gillespie (trumpet).

9. Mainstream
Born again
from the flow of jazz music that is not too binding in the late 1970s and early 1980s. This stream is usually called the Modern Mainstream or Post Bop, and modify the flow from the music that others like Cool Jazz, Classic, and Hardbop. Mainstream is also often classified as a stream of jazz that is not too related to the historical flow of jazz music.

10. Vocalese
Often referred to jazz vocals. Combining lyric and music within an instrumental solo. In nature is a bop, however the priority is singing solo or accompanied by a small band ensemble. Player among others: Eddie Jefferson and Jon Hendricks.

11. Cool
Often
referred to as "mixed" bebop and swing jazz. This stream is formed of the late 1940s and would be a "child of" bebop swing in a tone that combines a harmonic and dynamic. Also dubbed "West Coast Jazz", because a large amount of innovation originates from free airline coast of USA, specially the town of La.

12. Hard Bop
One of the other streams of jazz, the industry subsidiary from the flow of bebop. Hardbop more nuanced melodies on "soulful" than bebop, and often influenced the themes of music Rhytm & Blues and Gospel music. One inovatornya is pianist Horace Silver.

13. Bossa Nova
Combination of West Coast Cool, European Classical Harmonies, and Brazilian Samba rhythm. Known by name Brasillian Jazz, and evolved in America round the year 1962. Player, amongst others, Joao Gilberto, Antonio Carlos Jobim, as well as in America was Charlie Byrd and Stan Getz.

14. Free Jazz
Sometimes
known as the "Avante Garde". Solis of free jazz experimenting with a free (free) towards the music. Ornette Coleman and John Coltrane is definitely an example.

15. Soul Jazz
Based on Hardbop are very famous in early 1960s. Improvise with chord progression, just like bop. Characters for example Horace Silver together with his piano Hammond.

16. Groove
Known as the "of-shoot of Soul Jazz". Groove frequent use of tone-tone blues music having a focus totally on rhytms. This music is nuanced and often touch the sentiments excited listeners to dance, as the slower blues. Solo improvisation is rarely used and rely more about collective music.

17. Fusion
This flow
is a mixture between "jazz improvisation" with energy and rhythm of rock music. However, sometimes mixing is usually considered a part of rock music rather than jazz. This flow is another type of "rebellion" of jazz musicians, especially the flow hardbop to "jazz purists", who appeared to ordain that jazz should be like this already exist.

18. Afro-Cuban Jazz
Often referred to by the name of Latin Jazz. Is really a combination of improvisational jazz and Latin music rhythm. Musical instruments which are used with instruments of jazz music generally, but focused around the rhythm section of the instrument conga, timbale, bongo and other latin instruments. Characters such as Arturo Sandoval, Poncho Sanchez and Chucho Valdes.

19. Acid Jazz
Acid Jazz
is usually considered not a genre of jazz music, due to weak attachment to the history of jazz. First it had been the British dance music. That is then combined with classical music jazz, 70s Funk, Hip-Hop, Soul and Latin music, where the focus is instrumental music and never lyrics. Eventually creates a rich musical improvisation with music that sounded "mixed up", and is known as Acid Jazz. Acid Jazz is Jazz.

20. European Jazz
Within the late Twentieth century, French jazz musicians and also the Scandinavian countries believe the American jazz expression had lost the "feel" it in today. That was the start they made a new style of European Jazz. Just like Acid Jazz, european jazz rooted in dance music, and match elements of house music (with basic Funk disco music). Who produced more nuanced sound digitaly and electronicaly and contemporary feel. Characters such as Bugge Wesseltoft, Nils Petter Molvaer, and Martial Solal.
It was only a glimpse of streams in jazz music drawn from a number of jazz literature. There's also many important figures in jazz that doesn't exist in the summary above. Now it features a large amount of new jazz musicians and vocalists, for instance, Jammie Cullum, Renee Olstead, yet others, who make restrictions within the flow of jazz music has begun to blur. Nevertheless, the thing is not the flow itself, however the Jazz has become global.

origin of the word jazz

Lots of people believe that jazz is the music elite and established. But if we menegok towards the roots of jazz might be spelled exactly the opposite. Jazz is definitely an art in the form of musical expression. Jazz music is called fundamental in human life and the way to evaluate its traditional values. Jazz tradition started out the black community lifestyle in America who are oppressed. Initially, the influence of tribal drums and gospel music, blues and field hollers (shout cultivators). The process of birth continues to be indicated that jazz is closely associated with the defense of life and expression of human life.

What's interesting would be that the origin of the word "jazz" comes from a vulgar expression used for sexual acts. Some rhythm in jazz music once related to brothels and also the women by having an unfortunate reputation. In a way then, eventually just as one talent of jazz music, in composition and improvisation, which reflects the spontaneous melodies. Jazz musicians who do not usually express their feelings easily explained, because this music should be felt within the heart. "If you ask, you may never know" based on Louis Armstrong.

Jazz legend begins in New Orleans and grew
into the Mississippi River, Memphis, St.. Louis, and lastly Chicago. Obviously, relying on jazz music in New Orleans, African tribal drums and also the structure of European-style music. Jazz background cannot be separated in the facts in which a variety of music such as jazz influenced spiritual music, cakewalks, ragtime and blues. One of the jazz legends who thought that around 1891, a tavern owner in New Orleans barber named Buddy Bolden blew his cornet and jazz music if this was started like a new breakthrough in the music world. Fifty years later, jazz music in the usa gave many contributions in the music world, studied at university, and eventually became a serious musical flow and calculated.

Jazz
like a popular art began to spread to just about all American society within the 1920's (known as the Jazz Age). Increasingly prevalent in the jazz swing era in the late 1930s, and reached its peak within the late 1950s like a modern jazz. In the early 20's and 30's, "jazz" has become a commonly known word.


The influence and
development of blues music cannot be left out when discussing jazz music in the early years of development. Expression that emanates when playing blues music fits the design and style of jazz. A chance to play the blues became the standard for all jazz musicians, especially for use within improvising and air-hour session. Blues music itself, which comes from the South, has a very extensive history. Blues players usually use the guitar, piano, harmonica, or playing together in a group that plays musical instruments homemade.

Meaning of Jazz

We often hear about the Jazz. Perhaps most of us think of jazz as music that is hard to understand, so that only people who have money (read: rich) and the educated are able to understand jazz. But if we explore the music in depth, we can find that jazz music is very open, so everyone can enjoy, from young and old, from rich to poor, from the smart to the stupid.

Jazz music is actually a series regular who has a lot of improvisation of music basically. As a result, jazz musicians have never, or at least rarely displays the exact same one song. Although the same song, but the song was never sung in the same way. There is only one thing that makes the song remains the same, that is essentially musical. We note only, let's say a band jazz, especially fusion (combination of jazz and rock), featuring one song at one stage, there will be a section where one of the personnel doing the jamming, which displays kelihaiannya in playing the instrument with its own improvisations. Because improvisation is not written in full, only a written draft of his (the basics), improvisation was only casually. After the appearance of it, maybe the musicians will forget improvisation, leaving his draft in his memory. Consequently, on the other performances, improvisation will be sung in a different way.
This is the value of jazz. Literally, his own jazz means improvisation. So, jazz is improvised music, so, improvisation is the most vital in jazz. Musicians may be good at playing their instruments, set up a band with a member musicians - musicians who expertly, but the music it produces will not be jazz if not to make their skill in improvising.

Based on the review above, we get the points - the following points

    
Jazz music is not only rich and clever

    
No, or rarely, featuring jazz musicians in exactly the same song twice

    
Music Improvisation jazz means

    
Jazz music has a value on improvisation.

Senin, 14 November 2011

music jazz

Use a lot of jazz guitar, trombone, piano, trumpet, and saxophone. Important element in jazz is the blue notes, improvisation, polyrhythms, syncopation, and shuffle notes.

definition
Jazz can be very difficult to determine due to stretching from Ragtime waltzes to the fusion era of the 2000s. Although many attempts have been made to define jazz from the point of view outside jazz, such as using European music history or African music, jazz critic Joachim Berendt argues that all such efforts are not satisfactory. One way to get around the problem definition is to define jazz "term" is broader. Berendt defines jazz as a form of "art music which originated in the United States through the confrontation of blacks with European music", he argues that jazz differs from European music in the jazz that has a "special relationship to time, which is defined as 'swing'", " a spontaneity and vitality of musical production in which improvisation plays a role ", and" sonority and manner expressions that mirror the individuality of jazz musicians do ".
Travis Jackson also proposes a broader definition of jazz is capable of covering all radically different eras: he states it is music that includes qualities such as' swinging ', improvising, group interaction, developing an' individual voice, and being 'open' to possibility of different music Krin Gabbard claims that "jazz is a construct" or category that, while artificial, still useful to designate "a number of musics with enough general to be understood as part of a coherent tradition".
While jazz may be difficult to define, improvisation is clearly one of the key elements. Early blues are generally structured around the pattern of call-and-response is repeated, a common element in the African American oral tradition. A form of folk music which rose in part from work songs and field hollers of rural Black, also very early blues improvisation. These features are fundamental to the nature of jazz.
the elements of European classical music interpretation, ornamentation and accompaniment are sometimes left to the discretion of achievement, the main goal is the player plays as written composition.
In jazz, however, expert players will interpret a song with a very individual ways, never playing the same composition exactly the same way twice. Depending on the mood of the players and personal experience, interaction with fellow musicians, or even members of the audience, a jazz musician / player can alter melodies, harmonies or time signature at will. European classical music composer has been said to the media. Jazz, however, is often characterized as egalitarian product creativity, interaction and collaboration, placing equal value on the contributions of composers and actors, 'agile weight [ing] the claims of each composer and improvisation'.
In New Orleans and Dixieland jazz, performers took turns playing the melody, while others countermelodies improvisation. With the swing era, big bands come to rely more on arranged music: arrangements either written or learned by ear and memorized - many early jazz artists can not read music. Individual soloists would improvise within these arrangements. Later, in bebop the focus shifted toward smaller groups and minimal arrangements; melody (known as the "head") will be stated briefly at the beginning and end of the section, but the core of the performance will be a series of improvisations in the middle. Later jazz styles such as jazz up the idea of ​​strict capital chord progress, which allows the individual musicians to improvise even more freely in the context of a particular scale or mode. avant-garde and free jazz idioms permit, even call, leaving the chords, scales, and rhythmic meters.

There has long been debate in the jazz community over the definition and boundaries of "jazz". Although alteration or transformation of jazz by new influences initially are often criticized as abjection "," Andrew Gilbert argues that jazz has the ability "to absorb and transform influences" from diverse musical styles. While some enthusiasts of certain types of jazz argued for narrower definitions which exclude various types of music also known as "jazz", jazz musicians themselves are often reluctant to define the music they play. Duke Ellington concluded by saying, "It's all music." Some critics have even stated that Ellington's music was not jazz because it set up and manage. At a friend the other hand Ellington's twenty solo Earl Hines's "transformative versions" of the composition of Ellington (on Earl Hines Plays Duke Ellington recorded in 1970) is described by Ben Ratliff, New York Times jazz critic, as "a good example of the process of jazz as something out there ".
Commercially oriented or jazz-influenced popular forms have both long been criticized, at least since the emergence of Bop. Traditional jazz enthusiasts have dismissed Bop, the 1970s jazz [and many other fusion era] as a period of decline in the commercial value of music. According to Bruce Johnson, jazz music has always had tension "between commercial music and jazz as an art form" notes Gilbert's. As the idea of ​​a canon of jazz is developing, "past achievements" can become "... privileged over special creativity ..." and innovation of artists at Village Voice. jazz critic Gary Giddins argues that as the creation and spread of jazz increasingly institutionalized and dominated by major entertainment firms, jazz is facing "a. .. the future of dignity and acceptance interested dangerous" David Ake. warned that the creation of "norms" in jazz and the establishment of the jazz tradition "" may exclude or sideline other newer, avant-garde forms of jazz. Controversy also emerged over new forms of contemporary jazz created outside the United States and depart significantly from the American style In one view they are an important part of jazz's current development;. in others they are sometimes criticized as a rejection of vital jazz traditions.

  

Selasa, 08 November 2011

This is the work made ​​by my own

This song was inspired by a true story that I feel myself I poured in a song
tonight my bed smiling at you
there you are far apart from me
I love you I love you because you are the idol of my heart
though distance separates us
say never broken my prayer for you
I present God in a dream because I miss him
provide warmth in his sleep because I wanted to hug him
Give my best to convey the most beautiful is the best
the most beautiful of the best just for you